Saturday, 12 February 2011
Thursday, 18 December 2008
Tuesday, 16 December 2008
Ned
Freepers on the technology of scientology: http://rigorousintuition.ca/board/viewtopic.php?t=21770
Three days of the condor, three days of the harrowing of hell.
Parent trap, one of the kids played by MK Lohan has an English accent, like one of Britney's putative alters. The parent trap is one of those films with two of her, too. She also did the mind-swapping freaky friday remake.
Ddelmart Vreeland, possible 9/11 whistleblower, has been jailed for being a paedophile. For 336 years, an apporpriate number.
Three days of the condor, three days of the harrowing of hell.
Parent trap, one of the kids played by MK Lohan has an English accent, like one of Britney's putative alters. The parent trap is one of those films with two of her, too. She also did the mind-swapping freaky friday remake.
Ddelmart Vreeland, possible 9/11 whistleblower, has been jailed for being a paedophile. For 336 years, an apporpriate number.
Monday, 17 November 2008
Dark Angel MC
Episode on the other day: clones. Character called Sandeman, "Father".
See pseudoccultmedia for more MC symbolism to do with the star, Jessica Alba. She was also in "Sin City" which I saw part of and which seemed to be about an elite deviant.
See pseudoccultmedia for more MC symbolism to do with the star, Jessica Alba. She was also in "Sin City" which I saw part of and which seemed to be about an elite deviant.
Thursday, 13 November 2008
Voice alters
Ozzy Osbourne was once on the Frank Skinner show. He was questioned about speaking in an American voice on stage, which he very much doesn't when he's not singing. It's probably more likely to be two different alters showing themselves.
Thursday, 6 November 2008
Comments!
I heard someone on the radio the other day saying someone would be as depressed as "the architect of the world trade centre". Of course the architect of the world trade centre was working at the time for the bin Laden contruction group. Funny old world. I'm sure it's just a coincidence.
The Picts were dolicocephalous, I believe, but aren't known to have shaped their heads with wooden boards like the huns. Whatever brain-shape induced peculiarities they had were their natural attributes.
Ungoliant was no servant of Morgoth. She joined his cause on the condition that he was sate her hunger. As her hunger was insatiable, this didn't end well for him.
And pseudoccultmedia has left a comment too. It's a small community on the internet. Certainly a Kat I know only uses it for Bebo. That's the way with the local youth. I remember the good old days of Usenet and .txt files.
I digress.
I woke this morning to find ITV3 on, specifically an old episode of "Goodnight Sweetheart". The main character is a time traveller and while travelling thusly he get hit by lightning leading to him splitting into two, him and an evil him. If shattered glass means MPD/DID, then surely so does this.
ITV4 is showing repeats of Andromeda, the Gene Roddenberry show (pusthumously, partly due to his mad-looking wife, he was also the fount of Star Trek, which is implicated by Springmeier, and supposedly had contact with "The Nine"). Two of the characters are a robot and a norn. The norn is called Trance Gemini, of the Lambeth kin nebula or something similar. She has mystical powers, can predict the future (and at one point swaps places with her future-self) and is actually a disguised stellar body, the star Tarn-Vedra. In the fifth series we see the rest of the members of the nebula and the all look the same. Same actress. Except for the avatar of the Abyss, the villainous presence in the show, who looks different. Different actress, I think. The robot regularly makes announcements along the lines of "I'm a warship".
Abyss, of course, is the only Sumerian word in the modern English language. It means the sweet waters below the earth. It's also the name of the god representing those. "Water flowing underground" as the Talking Heads sang.
That reminds me, there's a song called "I love the sound of breaking glass" by Nick Lowe. I see this stuff everywhere now.
I'm looking at pseudoccultmedia's personal profile.
Pretty much the movies I've come to expect, and the music too, from reading posts at rigint. Some things no-one seems to notice: the band Kula Shaker has a peculiarly esoteric set of lyrics. "I was told by a knight of the sun [masonic rank] that wisdom could set people free", for example.
Two more movies with apprent MK symbolism: Lost Highway (David Lynch) and an English one called "My Brother Tom".
Lost Highway is bizarre and seemingly impossible to interpret, but having two characters played by one actress (Patricia Arquette, also in Stigmata, Medium (TV series) and the Tarantino-scripted True Romance with Christian Slater) and one character played by two actors (Bill Pullman and some kid) is indicative.
My Brother Tom was made by FilmFour. It's about two abused teens, although I never saw all of it. I remember a few bits, but it was several years ago. There's a hair-dying by the female lead, a hedgehog which is set on fire, and when they mutually lose their virginity at the end he then throws himself in front of a train, although his ghost comes back to save her from her own suicide attempt, which is suggestively set in a forest grotto where she walks into a lake or pond with a highly reflective surface, representing in many nythological systems the entrance to the underworld and the subconscious mind it represents. Not to mention the shattered glass symbolism of the ripples in the water.
Drawn to mind are two other sci-fis, Babylon 5 and Stargate. In Stargate they gave through something which resembles the surface of water to other worlds. The first episode of Babylon 5 has a scene in a supposed Japanese garden with a sand pit in which artificial ripples are raked to represent water.
The Picts were dolicocephalous, I believe, but aren't known to have shaped their heads with wooden boards like the huns. Whatever brain-shape induced peculiarities they had were their natural attributes.
Ungoliant was no servant of Morgoth. She joined his cause on the condition that he was sate her hunger. As her hunger was insatiable, this didn't end well for him.
And pseudoccultmedia has left a comment too. It's a small community on the internet. Certainly a Kat I know only uses it for Bebo. That's the way with the local youth. I remember the good old days of Usenet and .txt files.
I digress.
I woke this morning to find ITV3 on, specifically an old episode of "Goodnight Sweetheart". The main character is a time traveller and while travelling thusly he get hit by lightning leading to him splitting into two, him and an evil him. If shattered glass means MPD/DID, then surely so does this.
ITV4 is showing repeats of Andromeda, the Gene Roddenberry show (pusthumously, partly due to his mad-looking wife, he was also the fount of Star Trek, which is implicated by Springmeier, and supposedly had contact with "The Nine"). Two of the characters are a robot and a norn. The norn is called Trance Gemini, of the Lambeth kin nebula or something similar. She has mystical powers, can predict the future (and at one point swaps places with her future-self) and is actually a disguised stellar body, the star Tarn-Vedra. In the fifth series we see the rest of the members of the nebula and the all look the same. Same actress. Except for the avatar of the Abyss, the villainous presence in the show, who looks different. Different actress, I think. The robot regularly makes announcements along the lines of "I'm a warship".
Abyss, of course, is the only Sumerian word in the modern English language. It means the sweet waters below the earth. It's also the name of the god representing those. "Water flowing underground" as the Talking Heads sang.
That reminds me, there's a song called "I love the sound of breaking glass" by Nick Lowe. I see this stuff everywhere now.
I'm looking at pseudoccultmedia's personal profile.
Pretty much the movies I've come to expect, and the music too, from reading posts at rigint. Some things no-one seems to notice: the band Kula Shaker has a peculiarly esoteric set of lyrics. "I was told by a knight of the sun [masonic rank] that wisdom could set people free", for example.
Two more movies with apprent MK symbolism: Lost Highway (David Lynch) and an English one called "My Brother Tom".
Lost Highway is bizarre and seemingly impossible to interpret, but having two characters played by one actress (Patricia Arquette, also in Stigmata, Medium (TV series) and the Tarantino-scripted True Romance with Christian Slater) and one character played by two actors (Bill Pullman and some kid) is indicative.
My Brother Tom was made by FilmFour. It's about two abused teens, although I never saw all of it. I remember a few bits, but it was several years ago. There's a hair-dying by the female lead, a hedgehog which is set on fire, and when they mutually lose their virginity at the end he then throws himself in front of a train, although his ghost comes back to save her from her own suicide attempt, which is suggestively set in a forest grotto where she walks into a lake or pond with a highly reflective surface, representing in many nythological systems the entrance to the underworld and the subconscious mind it represents. Not to mention the shattered glass symbolism of the ripples in the water.
Drawn to mind are two other sci-fis, Babylon 5 and Stargate. In Stargate they gave through something which resembles the surface of water to other worlds. The first episode of Babylon 5 has a scene in a supposed Japanese garden with a sand pit in which artificial ripples are raked to represent water.
Wednesday, 5 November 2008
Tuesday, 4 November 2008
retards don't allow comments
Craig Robinson’s television image, even more revealing, instantly conjured pharaoh – Akhenaton, especially, given the preceding post’s mention of the god Aton incarnating in No Country For Old Men as Anton Chiguhr, a demonic satellite, a tyrannis rex of the reptoGoddess, remote-controlled through her hindbrain-enhancing shugurra helmet (itself reminiscent of an elongated rear cranium.)
Even the term “Homeland Security” was calculated to torch-off the brain-stem complexes, overwhelmngly in females (and certain pre-wired males, perhaps like the Head Coach), constantly stimulating their fear and nesting instinctual centers. Sorcery isn’t mumbo-jumbo and lighted candles.
I remember now, a once confusing matter of archaeology: people who were not physiologically Hunnish were found to have the Hun's dolicocephalic skulls. Turns out Celts and Goths, amongst other captured and conquered peoples, became honorary huns and used wooden boards to elongate the heads of their children. Therefore you end up with non-Huns with Hunnishly long skulls.
Tutankhamun: call him by his original name, Tut-ankh-ATEN.
Glaurung, Tolkien's dragon in the Silmarillion, is an interesting fellow. Not really evil, somehow above the light-vs-dark battle in which he serves. Only one other figure in the Silmarillion has such an attitude, for she is of unknown origin and has nothing to do with either side. She is Ungoliant.
Age of joseph replacing Father, apparently. jesus-is-lord said so, it pops into my mind.
Even the term “Homeland Security” was calculated to torch-off the brain-stem complexes, overwhelmngly in females (and certain pre-wired males, perhaps like the Head Coach), constantly stimulating their fear and nesting instinctual centers. Sorcery isn’t mumbo-jumbo and lighted candles.
I remember now, a once confusing matter of archaeology: people who were not physiologically Hunnish were found to have the Hun's dolicocephalic skulls. Turns out Celts and Goths, amongst other captured and conquered peoples, became honorary huns and used wooden boards to elongate the heads of their children. Therefore you end up with non-Huns with Hunnishly long skulls.
Tutankhamun: call him by his original name, Tut-ankh-ATEN.
Glaurung, Tolkien's dragon in the Silmarillion, is an interesting fellow. Not really evil, somehow above the light-vs-dark battle in which he serves. Only one other figure in the Silmarillion has such an attitude, for she is of unknown origin and has nothing to do with either side. She is Ungoliant.
Age of joseph replacing Father, apparently. jesus-is-lord said so, it pops into my mind.
Friday, 31 October 2008
TV review contd.
Continuing from previously: the odd thing about Spooks is that the opening credits end with a man whose face is half-in shadow, MC symbolic.
Another odd thing about Primeval is that one of the actresses is formerly of Mind Control band S Club 7, see most recent at pseudoccultmedia
Another odd thing about Primeval is that one of the actresses is formerly of Mind Control band S Club 7, see most recent at pseudoccultmedia
Thursday, 30 October 2008
Tuesday, 28 October 2008
TV review
A brief note, again heavily under the 'fluence of pseudoccultmedia, on some TV I saw last night. And the Mind Kontrol symbolism therein, of course.
Firstly, at 8pm, on ITV4 was the first episode in the second series of "Primeval", a scifi drama in which a team of people of varied talents investigate the sudden appearance of gaps in the space time continuum. Four main characters, as with most of these programmes and no doubt representing various Jungian archetypes as I've said before. There's the Professor, he's the boss. There's the handsome one, the clever one and the feisty anima woman.
Instances of apparent symbolism include the "anomalies", ie gaps in the space time continuum through which dinosaurs and other monsters are wont to roam, which have been made by the special effects gubbins to resembles shards of shining broken glass. Shatter symbolism = MK.
The last episode of the first series and first of the second series also has another piece of MK symbolism, there is another semi-major character who is some sort of Home Office civil servant. She and the Professor are just embarking on romantic adventures when the last episode of the first series comes along and, during an expedition into the distant past, events happen which erase her from history. Only the Professor and his time travelling whore-wife remember her. Luckily the actress doesn't become unemployed but reappears at the end of the episode with a different name and no memory of the events which, due to the time travel, no longer happened.
The MK symbolism here is the woman being the same but having a different identity, symbolic of TBMC-induced MPD. Also her reappearance is heralded by shots of her feet walking into the room in ruby red high heels, symbolic of Oz programming.
There was something in Spooks, too, but I can't remember what.
Also, I feel I should say something about Charlie Brooker's E4 programme "Dead Set" in which zombies take over Big Brother and eat the crowd and presentrix. But I haven't the time.
Firstly, at 8pm, on ITV4 was the first episode in the second series of "Primeval", a scifi drama in which a team of people of varied talents investigate the sudden appearance of gaps in the space time continuum. Four main characters, as with most of these programmes and no doubt representing various Jungian archetypes as I've said before. There's the Professor, he's the boss. There's the handsome one, the clever one and the feisty anima woman.
Instances of apparent symbolism include the "anomalies", ie gaps in the space time continuum through which dinosaurs and other monsters are wont to roam, which have been made by the special effects gubbins to resembles shards of shining broken glass. Shatter symbolism = MK.
The last episode of the first series and first of the second series also has another piece of MK symbolism, there is another semi-major character who is some sort of Home Office civil servant. She and the Professor are just embarking on romantic adventures when the last episode of the first series comes along and, during an expedition into the distant past, events happen which erase her from history. Only the Professor and his time travelling whore-wife remember her. Luckily the actress doesn't become unemployed but reappears at the end of the episode with a different name and no memory of the events which, due to the time travel, no longer happened.
The MK symbolism here is the woman being the same but having a different identity, symbolic of TBMC-induced MPD. Also her reappearance is heralded by shots of her feet walking into the room in ruby red high heels, symbolic of Oz programming.
There was something in Spooks, too, but I can't remember what.
Also, I feel I should say something about Charlie Brooker's E4 programme "Dead Set" in which zombies take over Big Brother and eat the crowd and presentrix. But I haven't the time.
Saturday, 25 October 2008
Oz
I may have been read pesudoccultmedia too much, because I've begun to see Mind Control symbolism everywhere. Palin(genesis)'s new shoes, for example. Red shoes are used in Oz programming and are held ot be a sign of MC programming.
It's also held that the likes of Hans christian Andersen are engaging in mass programming and triggering through their collected fairy tales. Something no-one seems to have spotted is the possible use of traditional tales as an anti-dote to trauma based mind control. Well known is the shattered mirror symbolism of the broken mind and in the Northern legends is the broken sword reforged. In this post there is the panther/man, symbolic of a mind controled assassin, told he can only return to human form if he kills a man. So is the Greek legend of, the name escapes me, turned into a wolf for a year and only to be turned back into a man if he hasn't partaken of human flesh in that time.
America always was intended, after all, as the resurrected Homeland for the Goddess, the Masonic Phoenix, adept Francis Bacon’s New Atlantis, Babylon reborn and the Temple of the Mysteries recast, where the Chief of the fallen brethren would rule his ancient Everlasting Eve, and all the People would become gods unto themselves and Walk Like Egyptians, the unchained enslaved.
ray, there. Remind me of HP's:
the secret priests would take great Cthulhu from his tomb to revive His subjects and resume his rule of earth....Then mankind would have become as the Great Old Ones; free and wild and beyond good and evil, with laws and morals thrown aside and all men shouting and killing and revelling in joy. Then the liberated Old Ones would teach them new ways to shout and kill and revel and enjoy themselves, and all the earth would flame with a holocaust of ecstasy and freedom.
More MC symbolism:
Tuesday, 21 October 2008
Words that deserve to be preserved - ray
WHY would they want to "fix" marriage, family law, or any other aspect of a gynogulag that
1) vastly enriches them
2) consolidates their power
3) destroyed the unions
4) keeps other men dispossessed, degraded, impoverished and hopeless
look, this aint particle physics: our elites award females almost total power over males
the vast majority of females are v easy to control -- give them money, toys, and power and they'll do anything
elites control females, females oppress males
voila
meanwhile, the republican party stays safely out of the loop, claiming ignorance of all this bullshit, pretending it's those Evil Democrats who are at fault, and hinting . . . but only hinting, that they'll Set All To Rights if only we "elect" one more repub president, senator etc
Saturday, 18 October 2008
Just like the old days
A story from Private Eye. Two Daily Mail hacks, that being a notoriously racist paper (see "Flat Earth News" by Nick Davies), were sent to trace the slave-ancestry of the black one of the two. One of them was a black man, David Williams, one was a white women, Suzanne Moore.
The editor liked the idea, but he didn't like the price of sending them both off first class to the Americas. An obvious solution presented itself: she would travel first class, he who was only the descendant of slaves would travel steerage.
Goat class, as Private Eye put it.
The editor liked the idea, but he didn't like the price of sending them both off first class to the Americas. An obvious solution presented itself: she would travel first class, he who was only the descendant of slaves would travel steerage.
Goat class, as Private Eye put it.
Friday, 17 October 2008
Thursday, 16 October 2008
Aleister
newspaceman:
Aleister Crowley, in this instance his vision of Atlantean society as depicted in The Lost Continent:
"The whole population was put to perpetual hard labour."
Aleister Crowley, in this instance his vision of Atlantean society as depicted in The Lost Continent:
"The whole population was put to perpetual hard labour."
Wednesday, 15 October 2008
Soros
George Soros said: "I made my money from the difference between what reality is and what the common man perceives reality to be."
Wednesday, 1 October 2008
Quotes
The Terrible Male … functions not only as a principle that disintegrates consciousness, but even more as one that fixes it in the wrong direction… [H]e is the destructive instument of the matriarchate, as its henchman; he is its authority, as the maternal uncle; he is the negative force of self-destruction and the will to regression, as the twin; and finally he is the authroity of the patriarchate, as the Terrible Father… whenever the ego is overwhelmed by the sexual, aggressive, or power instincts of the male,or by any other form of instinct, we can see the dominance of the Great Mother… the phallic Terrible Father is only her satellite, not a masculine principle of equal weight.
-- Erich Neumann, The Origins and History of Consciousness
"Every change in the relations between the sexes is attended by bloody events"
"[E]ach tribe has its tyrant. Since... there is... no such thing as individual paternity, the whole tribe has only one father, the tyrant... the tyrant derives all his rights from woman. The tyrannis is transmitted by way of the womb."
-- J.J. Bachofen, "Myth and Mother Right" (abridged English translation)
[K]ore’s bond with Demeter was the surce of the primacy of mother over father, of daughter over son … in ancient terms, the cultic-religious meaning of the maternal … is pimary and dominant.
-- J.J. Bachofen, Myth and Mother Right
-- Erich Neumann, The Origins and History of Consciousness
"Every change in the relations between the sexes is attended by bloody events"
"[E]ach tribe has its tyrant. Since... there is... no such thing as individual paternity, the whole tribe has only one father, the tyrant... the tyrant derives all his rights from woman. The tyrannis is transmitted by way of the womb."
-- J.J. Bachofen, "Myth and Mother Right" (abridged English translation)
[K]ore’s bond with Demeter was the surce of the primacy of mother over father, of daughter over son … in ancient terms, the cultic-religious meaning of the maternal … is pimary and dominant.
-- J.J. Bachofen, Myth and Mother Right
Monday, 22 September 2008
An Inconvenient Truth (Not That One)
This summary is not available. Please
click here to view the post.
The End Of Communist Inevitability
---
In 1843 a book called the whig interpretation of history was published. It was very tapped into the zetigeist. The basic theme was the moral superiority of the English civilisation of the time. Not only was then-present society better than anything that had gone before, it was the best things could ever be. Nothing could improve on Anglicanism and constitutional monarchy. All that remained was for the rest of the world to catch up. This was what history had long been building towards.
Things had suffered a slight backwards step in the dark ages, but otherwise history had been a tale of progression from them to now. This is the Whig Interpretation of History: that history is going somewhere, and that somewhere is here.
This theory fell apart with the fall of the peaceful nineteenth century liberalism. But the core idea survived. History isn't just the tale of what was, but a process by which we approach a distinct goal. The early socialists, including Marx, believed their triumph was a historical inevitability. They had a better system and people would eventually wake up and embrace it.
The idea survives today, having outlived Liberalism and Communism. Another book has become its most famous expression, "The End of History" by Francis Fuck-ya-ma, State Department operative. Back to the nineteenth century liberalism. But this time there was a difference. There was no true belief behind Fukuyama. His book wasn't a statement of belief, but a statement of intent.
The intent was to eliminate all alternatives to the economic orthodoxy. The new interpretation of history was the old interpretation of history. The Whig interpretation. History was going somewhere again, but not into communism or Anglicanism. Now it was going, and had always been going, into capitalism and facade democracy.
But this isn't the way of history. History is not going anywhere. History is not a tale of progress but of conflict.
In 1843 a book called the whig interpretation of history was published. It was very tapped into the zetigeist. The basic theme was the moral superiority of the English civilisation of the time. Not only was then-present society better than anything that had gone before, it was the best things could ever be. Nothing could improve on Anglicanism and constitutional monarchy. All that remained was for the rest of the world to catch up. This was what history had long been building towards.
Things had suffered a slight backwards step in the dark ages, but otherwise history had been a tale of progression from them to now. This is the Whig Interpretation of History: that history is going somewhere, and that somewhere is here.
This theory fell apart with the fall of the peaceful nineteenth century liberalism. But the core idea survived. History isn't just the tale of what was, but a process by which we approach a distinct goal. The early socialists, including Marx, believed their triumph was a historical inevitability. They had a better system and people would eventually wake up and embrace it.
The idea survives today, having outlived Liberalism and Communism. Another book has become its most famous expression, "The End of History" by Francis Fuck-ya-ma, State Department operative. Back to the nineteenth century liberalism. But this time there was a difference. There was no true belief behind Fukuyama. His book wasn't a statement of belief, but a statement of intent.
The intent was to eliminate all alternatives to the economic orthodoxy. The new interpretation of history was the old interpretation of history. The Whig interpretation. History was going somewhere again, but not into communism or Anglicanism. Now it was going, and had always been going, into capitalism and facade democracy.
But this isn't the way of history. History is not going anywhere. History is not a tale of progress but of conflict.
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